ACT
I. Paris, Christmas Eve, c. 1830. In their Latin Quarter garret,
the painter Marcello and poet Rodolfo try to keep warm by burning
pages from Rodolfo's latest drama. They are joined by their comrades — Colline,
a young philosopher, and Schaunard, a musician who has landed a job
and brings food, fuel and funds. But while they celebrate their unexpected
fortune, the landlord, Benoit, arrives to collect the rent. Plying
the older man with wine, they urge him to tell of his flirtations,
then throw him out in mock indignation. As the friends depart for
a celebration at the nearby Café Momus, Rodolfo promises to
join them soon, staying behind to finish writing an article. There
is another knock: a neighbor, Mimì, says her candle has gone
out on the drafty stairs. Offering her wine when she feels faint,
Rodolfo relights her candle and helps her to the door. Mimì realizes
she has dropped her key, and as the two search for it, both candles
are blown out. In the moonlight the poet takes the girl's shivering
hand, telling her his dreams. She then recounts her solitary life,
embroidering flowers and waiting for spring. Drawn to each other,
Mimì and Rodolfo leave for the café.
ACT II. Amid shouts of street hawkers, Rodolfo buys Mimì a
bonnet near the Café Momus before introducing her to his friends.
They all sit down and order supper. A toy vendor, Parpignol, passes
by, besieged by children. Marcello's former lover, Musetta, enters
ostentatiously on the arm of the elderly, wealthy Alcindoro. Trying
to regain the painter's attention, she sings a waltz about her popularity.
Complaining that her shoe pinches, Musetta sends Alcindoro to fetch
a new pair, then falls into Marcello's arms. Joining a group of marching
soldiers, the Bohemians leave Alcindoro to face the bill when he
returns.
ACT III. At dawn on the snowy outskirts of Paris, a Customs Officer
admits farm women to the city. Musetta and revelers are heard inside
a tavern. Soon Mimì walks by, searching for the place where
the reunited Marcello and Musetta now live. When the painter emerges,
she pours out her distress over Rodolfo's incessant jealousy. It
is best they part, she says. Rodolfo, who has been asleep in the
tavern, is heard, and Mimì hides; Marcello thinks she has
left. The poet tells Marcello he wants to separate from his fickle
sweetheart. Pressed further, he breaks down, saying Mimì is
dying; her ill health can only worsen in the poverty they share.
Overcome, Mimì stumbles forward to bid her lover farewell
as Marcello runs back into the tavern to investigate Musetta's raucous
laughter. While Mimì and Rodolfo recall their happiness, Musetta
quarrels with Marcello. The painter and his mistress part in fury,
but Mimì and Rodolfo decide to stay together until spring.
ACT IV. Some months later, Rodolfo and Marcello lament their loneliness
in the garret. Colline and Schaunard bring a meager meal. The four
stage a dance, which turns into a mock fight. The merrymaking is
ended when Musetta bursts in, saying Mimì is downstairs, too
weak to climb up. As Rodolfo runs to her, Musetta tells how Mimì has
begged to be taken to her lover to die. While Mimì is made
comfortable, Marcello goes with Musetta to sell her earrings for
medicine, and Colline leaves to pawn his cherished overcoat. Alone,
Mimì and Rodolfo recall their first days together, but she
is seized with coughing. When the others return, Musetta gives Mimì a
muff to warm her hands and prays for her life. Mimì dies quietly,
and when Schaunard discovers she is dead, Rodolfo runs to her side,
calling her name.